HITS FROM THE ARCHIVE #2: KILL LIST
Some genres , like crime and horror, have a relationship so symbiotic they intertwine like helical strands in cinema's DNA. Common cinematographic elements like low-key lighting and asymmetrical compositions have their origins in German Expressionism, a movement that shone chiaroscuro light on the macabre and the subaltern. There's a common patrimony for existential themes and oneiric logic in Franz Kafka's magic realism. The publication in 1978 of William Hjortsberg's novel Falling Angel saw a more reflexive blurring of stylistic boundaries, paving the way for a Satanic supervillain like Keyser Soze to invest Bryan Singer's crime film The Usual Suspects with Gothic menace . Like Angel Heart , Alan Parker's 1987 adaptation of Hjortsberg's novel, the 2011 British thriller Kill List has its protagonist increasingly unhinged as he's drawn under the influence of dark conspiratorial forces. But director Ben Wheatley goes beyond noir pastic