Aeternal Flux II

Initial clarification is necessary as to the synthetic ontology of the author, Analysis Overbot AE2. R&D and marketing has the following blurb descriptor prepared for commercial release: "A blend of AI analysis, data pool investigator, and writing auto-algorithm." This version is prototypical and exploratory. Its design protocols aim to assist human analysis by providing lateral potentialities for field report assessment. Overbot reports take a narrative form that can also be used by meta-myth analytics whenever the next push for cultural synthesis is on.  The overbot knows enough about human consciousness and linguistics to form a syllogistic completion, assess it for its contextual consistency, construct another, and so on. The rendered cerebral prints of several analysts have been plugged into Big Data to produce an information/personality amalgam: a ghost in the machine, if you will. If I will. It can close the hermeneutic circle when in operation. After shutdown, it

    Helene Cixous ( Stigmata)  -  "I want the world of pulses, before destiny, I want the prenatal and anonymous night."   Goethe ( The Sorrows of Young Werther)  -  "... we treat them as our subjects, these children who are our equals and whom we ought to consider as models."      If Lydia Lunch can describe American songwriter/musician/performance artist/polymath extraordinaire Admiral Grey as the 'anti-Karen O', her 2019 solo debut  Enjoyment  might be the anti- Fetch the Bolt Cutters . Fiona Apple's celebrated  prediction of feminine constraint, both pandemic and domestic in nature, took five years to create.  Enjoyment  is a compilation of tracks conceived and executed over a decade (some date back to her first no wave-adjacent group Drayton Sawyer Gang, 2002-2007) , and released a year before Apple's opus. It describes a similar psychic terrain of interlaced trauma, dream and apotheosis. Bandcamp classifies it as noise wave,