MY OCTOPUS MIND - HERE MY RAWR
According to one variation of the
fascinating (if widely disputed) theory of panspermia, the octopus arrived on
Earth in egg form on meteors during the Cambrian Explosion around 540 million
years ago. More orthodox scientific opinion holds evolutionary theory best
explains the genetic uniqueness and adaptive cleverness, the perceived alien
qualities of this creature. Bristol-based post-rock outfit My Octopus Mind seem
to imply in their name a kinship with the titular organism that goes beyond
abstract ecological awareness of distant co-evolutionary molecular similarities. This
inter-species identification is perhaps simply rooted in a shared will to live
and conquer adversity with the concerted application of intelligence.
‘Here My Rawr’, the quartet’s new
single, continues the philosophical mission statement of their last single ‘No
Way Outta Here Alive’: life’s opposing drives of alienation and determination encompassed
in a creative dialectic. Lyrical themes of homesickness and romantic/chemical
misadventure as well as the tune’s musical roots developed out of singer Liam
O’Connell’s nine-year sojourn in Australia. This eight-minute epic is the
product of a long gestation period and a culminative statement of MOM’s
progressive musical development.
The track’s opening bowed bass
solo slides around the stereo field like the band’s namesake cephalopod
negotiating a rock pool (possibly Antipodean,
possibly exoplanetary). The elegant mixing is paralleled in the song’s dynamic
shifts which represent an advancement in subtlety over ‘No Way Outta Here Alive’.
Flavours of the Eastern modalities of mainstream rock figures like Led Zeppelin
or Jeff Buckley as well as psych-prog avatars The Mars Volta emerge in the
rockier passages, but it’s apparent they also look to alternative musical models
capable of conjuring more unearthly power like the Esbjörn Svensson Trio or
Silver Mt. Zion. Stuttering post-hardcore cadences out of Nomeansno or math
rockers Tera Melos or no wavers Blonde Redhead pepper the track’s progress with
moments of tension and release. There’s an electronic noise passage redolent of
Radiohead’s disruptive experimental episodes.
My Octopus Mind continue to
demonstrate they’re one of Britain’s most challenging psych-rock bands. They
adapt to their creative environment by drawing sustenance from multiple
sources, continually pushing forward to add their own unique mark on the
evolving tapestry. If they have interplanetary octopus friends, maybe they’re
just as eclectic.
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